Friday, 26 April 2013

Evaluation


Apocalypse How?
Evaluation

Apocalypse How?
 
My media production challenges regular film conventions as it is a mixes two genres into one film, it is a horror film as the pretenses of the film, a zombie apocalypse and 3 teenage Caucasian male leads that do not know what is happening, but comedy has been introduced as the reason they do not know what is happening is because they slept through the apocalypse/ the rapture because of a hangover. The sort of film I wanted to have was a sort of film like ‘Shaun of the Dead’(2004) staring Simon Pegg and Nick Frost, that’s why I did my film in this convention … I wanted my film to be a sort of cross between ‘Dawn of the Dead’(1978) (George A Romero) and ‘The Hangover’ (2007)with an English styled subtle comedy portrayed by films such as ‘Shaun of the Dead’ and ‘Hot Fuzz’(2007).
Dawn of the Dead (1978) PosterThe Hangover (2009) PosterShaun of the Dead (2004) Poster



My film used a light atmosphere, to show the more light/ upbeat to show the more comedic aspect, we also used that atmosphere that people can relate to. The main idea of the film is to put the viewer in the shoes of the characters, seeing these normal people in a world they didn't know existed, I want the audience to think even if it’s just for a moment to question themselves and ask what would it be like if they were pushed into the world of the undead, what would they do and how would they react to it. But it was also important for me to have comedy in the film, that way we can sort of see a funny side to these people being dropped into this situation they don’t understand, and that’s why in my film opening I decided to try and make the film have a relaxed atmosphere.
My production shows the stereotypical quite nerdy teenage male group, we have a nervous character that is quite quiet and worries about most things but is also the butt of the jokes, played as the character ‘Harrison’, we also have the fat guy, the comedic center of the group and is the one who makes all of the jokes and isn't really afraid of offending people depicted by Steve Moore playing a mixture of himself and some of the character ‘Ed’ from ‘Shaun of the Dead’(2004). And then we have the final part of the group the one that is the more stupid one, the character that doesn't really understand a joke nor understand what’s going on but goes along with it and tries to contribute with a conversation and stay with the other group members because he thinks it’s fun, and that character is ‘Ed’ played by Ed Shiers, Ed represents the innocence in the group, he just wants to be a part of what’s happening, that’s why if we were making a full feature length production ‘Ed’ would be the character the audience feels the most for because he isn’t complaining about what’s happening he is just accepting it and trying to keep the group together, he is very much the character of ‘Allan’ played by Zach Galifanakis. Although it times the group seem annoyed with him, he is the one to really keep the group together and I believe that’s what ‘Ed’ is.

Would most likely be the production company that would be involved with the distribution of my film because it is an English film company that have released many films in all genres comedy, drama, horror, thriller and even romcom’s, they have distributed films such as :
Four Lions (2010) PosterThe Lovely Bones (2009) Poster28 Days Later... (2002) Poster

This is why I believe that ‘Film4’ would be perfect for my film as they participate with a very wide range of very successful films, but they are not as big as the major conglomerates such as companies like ‘Time Warner’ or ‘Fox’ also it is a British distribution company which is a lot more approachable for making smaller budget films, and although my film does have horror elements it has many comedy elements so it wouldn't fit in with the company such as ‘Hammer Films’ which released many of the biggest British horror films such as the classics like ‘Dracula’ (1958) starring Christopher Lee and Peter Cushing, they also recently released the latest horror installment ‘The Woman in Black’(2012) staring Daniel Radcliff, which was a big hit and had a very big budget which is why I don’t believe ‘Apocalypse How?’ would fit in with the ‘Hammer films’ films. 
The audience for the film would be people aged 15 – 20’s (The film would be rated 15) mostly people like the characters in the film, mainly I’d assume teenagers would enjoy the film as it is in the perspective from a group of incredibly normal group of teenagers, well a normal group of nerdy teenagers. That’s why I would suspect mainly teenagers would view the film as I think they would be able to relate to the characters in the situation not knowing how they themselves would cope in a zombie apocalypse. There is no real targeted class in the audience but I would say that more middle class people would be attracted to the film, as that’s the social class of the characters I think more male members of the population would watch the film as they might find it easier to relate to the characters, and may even have the same sort of conversations with their friends what would WE DO in an apocalypse? I also think it would be younger audience members, because of the genre of ‘ZOM COM’ it would require people to have the same level of maturity of the actors in the film.


I would attract my audience with a viral marketing campaign (similar to the movie ‘Cloverfield’) it would start with a deal with ‘YouTube’ where a channel would be added with the name of one of the characters in the film, then videos would be released over time, they would contain videos that looked like mobile phone camera footage of the characters running away from something, the clips would only be a few seconds long and be released over a period of a year never revealing the true antagonists of the film … the undead. and finally in the last viral video the audience would finally see the title of the film and the release date … so the audience would finally know what the videos they have been drip fed over the course of a year. And hopefully leaving them questioning what’s going to happen in the film and to the characters and if any of the people they saw on the clips are in the film and hopefully that may entice people to come and see the film. I would also use ‘Facebook’ to my advantage by anonymously sharing pictures and allowing them to get spread around so more and more people would see them, I would do the same on ‘Twitter’ with the sharing or re tweets of the pictures and when the big reveal takes place I would have the film advertised on the side of the   page.    
      


I have learnt a great many things over the course of the past year both on the technical side of media and the practical side of media, I have learnt about all of the necessary camera angles that are needed in film I have also learnt about the mise en scene, the sounds and the Editing, and from what I have learnt in the class room I have been able to portray in my media production. I have learnt how to successfully operate a tripod with a steady hand as well as master filming using ‘Sony HD 1080i’ video camera in order to make my 3 minute long film opening, I have also learnt how to successfully edit my shots in order to make a linear film on ‘Adobe Premiere’ editing and splicing shots together and also adding in titles (including a title of a production company that I made up) and add music to show the atmosphere of the film, and although the music is quite upbeat I believe that it shows clearly the genre of film I have made. I have tried to challenge the norms in making a horror film with comedy elements much like ‘Shaun of the Dead’ and even ‘Joss Whedon’s’ ‘Cabin in the Woods’ and from this came what I believe to be a successful media production that challenges conventions whilst still showing  the technical skills needed to be a film maker in the future. With what I have learnt this year I am very confident that the mistakes that were made in my production will not be made again next year, because of my analysis of my own film I can see clearly how I could have made it much better, including continuity errors (Duvet not on floor and as we walk downstairs I lost my hoodie and Steve gained his) but also in terms of props and story line I believe that next year I can prove myself much more in comparison to this year’s work.

“Before time began there was” … the prelim task, which is where we learnt the basic premises of film making where we learnt about the 180 degree rule, and the basic rules of mise on scene, camera angles and editing, from what we learnt doing the preliminary task I was able to transfer into my final media production. Making sure that all of my shots made sense and were fluent telling the story and making sure it is easy to follow the characters and what’s going on. But what was the biggest difference from the prelim and ‘Apocalypse How?’ was writing the story and trying to make connections between characters and the audience hoping that they would care and relate to the characters, although the main problem was thinking an original idea, as we know zombies and horrors have been made countless times but I can only think of a few films that have challenged the conventions of horror by adding a large comedic aspect to it films like ‘Shaun of the Dead’ (2004) and ‘Zombieland’ (2009), but I feel like I was able to challenge the conventions and made it work quite well. Although to portray this I had to use many types of camera angles and shots, to show the shock between myself and Steve upon discovering what we assume is Ed’s dead body we had to do a shot reverse shot, also we had a shot reverse shot when the characters are having a conversation. We even used some over the shoulder shots; this was to show a different view of Ed but also show that even though Ed was covered in blood I and Steve had power over him as he was dazed and confused and didn't know what was going. We had to make sure we stuck on to the 180 degree rule so it makes sense to the audience and that we don’t seem to just hop around creating a big and really confusing continuity error. I feel that although my story wasn't a huge success I feel the camera angles and shots work well, in my film I added some different effects and a lot of fades, but because I was trying to challenge conventions so I took out the colour changes, because I wanted my film to look like what it would be for anyone thinking it was a normal day and for it to escalate into something that really isn't expected … making it look like the world was exactly the same even though it would never be the same again. 

Monday, 25 March 2013

Apocalypse... How?


Apocalypse… How?
'A Bromantic Comedy ... With Zombies' 
By Harrison Marlow and Steve Moore

The Film would start with a black screen with the title’s appearing on screen with non-diegetic music starting to play   http://www.youtube.com/watch?v=29QMWYbtERk (Can’t Play Dead – The Heavy). When the film starts we see an establishing shot of a bedroom, with Steve Moore sating in the bed, he rolls over to reveal a bottle of Alcohol underneath him. He rolls over and falls out of bed, the camera then swaps to an above shot of him lying on the floor, the camera Pans around as he crawls across the floor to his desk in search for his glasses, the camera then switches to an over the shoulder shot (Left hand side) to show him opening a mini fridge, to reveal an energy drink, his glasses and a Mr T action figure, as he puts on his glasses and saying:
Steve Moore: “Uggghh Mornin’ T”
The camera cuts outside the bedroom door and shows him opening the door whilst still lying in the floor, (Whilst he grumbles… Like a zombie) he gets up and the camera pans around with him as he walks into the Bathroom, the camera cuts to an establishing shot in the bathroom where Steve is sat on the toilet whilst singing to himself.

Steve: "Drop of a hat sheee's a ..."
The shower curtain pulls back and Harrison pulls his head around the corner... 
Steve: Aaagh ... what, WHAT are you doing?! Get Out!
Harrison: (Mumbles) no .... no .... and Harrison lays back down in the bath.

The shot fades (to show a passage of time) to outside the bathroom to at a medium long shot, the door slowly opens and Harrison (In a style of a Zombie) shuffles out and Steve flushes the toilet, once Harrison leaves the bathroom and after flushing the toilet, Steve Follows him.

Steve: "I can't believe you stayed for that whole thing"
Harrison: "Ha ..."
*The camera cuts to a horizontal tracking shot as they walk down the stairs.*
Steve: "Where's Ed? ... I swear to God next time I see him he's dead.."
*As Steve says that it cuts to a handheld/ point of view shot to Ed rolling out from under the stairs covered in a lot of blood. (all of these are shot reverse shots)*
Steve: " (screams) Agggh Ed?!"
Ed: (starts to wake up) "uuuggh" (Moans)
Harrison: "ED!"
Steve:      "ED!"
Ed: "What, What?!"
Harrison: "Are you okay?!"
Ed: "What"
Steve: "The Blood"
Ed:"What Blood"
Steve: "The blood you're covered in?!"
Ed: "Whaa... (looks Down) Oh ooohhh aaaagh"
Steve: screams
Harrison: screams 
Ed: screams 
Ed: "oh wait ... I, I don't think its my blood"
Harrison: "Good ..."
Steve: "wait ... who's blood is it"
Ed: "I, I don't know"
* Ed lies down and shuts his eyes about to go to sleep* 
Ed: "It's Fine"
Steve:"Well don't go back to sleep"
Harrison: "It's not fine, it's a big deal someone's missing a lot of Blood Ed!"
Steve:"We were wasted last night" *Puts hand up for high Five*
Harrison: *Looks at hand* " No!?!"
Steve:" Alright ... we did though, Actually i'm suprised no one drew on me."

*the camera cuts to a shot of Ed laying down on the floor*
Ed:"Steve ... stick the telly on "
Steve:" Alright what we watchin'?"
Harrison:"We could check we're not on the news or something"
Steve:"Or a much less boring choice"
Harrison:"wow..."
*The Camera pans round as Steve walks toward the TV the camera then zooms onto the TV showing Static as he flicks through the channels*
*The Camera then cuts to Steve sat on a chair*
Steve:"Well what now" *he sees his phone and reaches to grab it* "Aha ... well alright it's fine"
*The next sequence is a shot reverse shot conversation between all of the characters*
Steve:"Huh, that's weird ... no wi-fi or 3G?"
Ed:"What non at all"
Steve:"No"
Harrison:" Nor me Either"
Steve:"I normally get really good signal in this house"
Ed:"It's like the only house i get signal"
Harrison:" Hey"
*Camera cuts to Steve lifting his head as Harrison gets his attention*
Harrison:"Check your phones, see if you have any videos or anything from last night"
Steve:"Uuh yeah acutely, Wow ... There is a lot ... that's pretty weird"
Harrison:"Really?"
Steve"Yeah, Come here have a look"
*all three round Steve on the chair*
Harrison: *quietly* "what the hell is that"

*the scene ends and so does the film and the titles as well as the song 'Can't play dead' starts to play*



Monday, 11 March 2013

Questionnaire Horror



Harrison Marlow

Media Studies Questionnaire – Horror

What gender of Protagonist do you enjoy seeing in a Horror(Tick One)
A.      Male
B.      Female
 What sort of Horror do you enjoy?
A.      Paranormal
B.      Gore/Slasher
C.      Monsters
D.      Phycological
(If Male) What sort of Personality do you like the main protagonist having? (Tick Two)
A.      Everyday, Normal
B.      Cocky
C.      Action Hero
D.      Nerdy (unconventional hero)
E.       Comedic
(If Female) What sort of Personality do you like the main protagonist having? (Tick two)
A.      Everyday, Normal
B.      Cocky
C.      Action Hero
D.      Nerdy (unconventional hero)
E.       Comedic
What sort of music do you like to hear during a Horror (Tick One)
A.      Orchestral
B.      Pop
C.      Rock
D.      General upbeat music
E.       Punk
F.       Funk
G.     Other ……………………….
What location do you think is best for a ‘Horror? (Tick One)
A.      An old Decrepit Home
B.      A College/School                                            (Continued on Back)
C.      In a town or City
D.      In a place of business
E.       Other ………………….
What sort of age group would you most like to see in a Horror? (Tick One)
A.      17-20
B.      21-26
C.      27-35
D.      35-40
What sort of Opening Sequence would you like to see in a ‘Horror(Tick One)
A.      Titles then into the film
B.      Film Starts During Titles
C.      A pre Title Sequence then Titles ( E.g. James Bond)
What is your Favourite ‘Horror(in the list provided) (Tick One)
A.      ‘Sean of the Dead'
B.      ‘Dawn of the Dead
C.      ‘Paranormal Activity
D.      Alien/Aliens
E.       Halloween
F.       Saw(s)
G.     Nightmare on Elm Street
What sort of content would you like to see in a Horror? (Tick Two)
A.    Just an allover Gory film
B.    A lot of jumpy Moments
C.   For there to be some Comendic moments
D.   Very Serious
E.    Makes you question 'What If'?


Thanks for filling this in.

Monday, 25 February 2013

Avatar's 'Apocalypse How?


'Apocalypse How?' Avatars Characters and Roles 


Harrison Marlow
Writer, Director and Editor of the Film 'Apocalypse How?' and I am also playing one of the three lead characters in the production 






                   Steve Moore
Writer and Co-Star of the film, he plays the comedic member of the group, the character is very outgoing and is very much so the comic relief of the film, he is pretty much playing himself in a zombie apocalypse.





                 Edward Shiers
Actor, he plays the third friend in the group and is the more of the punchline or the butt of the jokes between the friends and will end up being the most liked character in the film 









            







                

Friday, 22 February 2013

'26:19' story

This is the story of '26:19' and the camera angles we plan to use in the filming process of the film.

26:19 Story Boards

These are the Story boards for the film '26:19'

the pitch '26:19'


The Pitch '26:19'

The idea for the film is it is set in the year 2019 and we will see events that take place on the 2/6/2019 where the dead rise. The idea is from Revelation 26:19 “Thy dead men shall live, together with my dead body shall they arise. Awake and sing, ye that dwell in dust: for thy dew is as the dew of herbs, and the earth shall cast out the dead." This for me is the perfect reason for a zombie apocalypse, where three friends who are out camping for a weekend are completely out of their comfort zone, they have to try and survive in a place they've never been before rural England. A place where there is nowhere to call safe, so all they can do is try and run, try and hide ... try to survive and find a way home. All they can do is stay together.
(They cannot drive; they were dropped off at the location for the weekend)   

Monday, 11 February 2013

Friday, 8 February 2013

The (Very) Quick Brianstorm


 In the Horror film it is about a painting of a falling angel with his skin half burning off to reveal bones, a man becomes fascinated by this picture saying "it just seems to call out to me i don't know why" as there is no name on the painting he assumes its the ark angel Gabriel he later finds out it is Lucifer being cast into hell, and it is in fact telling the man to murder people and leave them in front of the picture, this would happen and every time a body was placed in front of the painting it would disappear the next day but more and more skin would return to the angels body until he is complete again, and he comes back to get his vengeance.

 The RomCom idea was more of a joke as we had a thought that at a conference president Obama and prime minister Cameron meet Boris Johnson, and they both fall madly in love with him and in each others war to get him they actually start WW3 and in the end it turns out that they fall for each other because Boris isn't gay.... as I said this was more of a joke...

 In our thriller idea we thought that like 'Se7en' we could have a killer, killing 10 people over the course of 10 months in the ways that reflect the 10 commandments for Atheists, the antagonist kills these good people to prove there is no God.

Friday, 1 February 2013

Media Studies Questionnaire – Romantic Comedy


Harrison Marlow

Media Studies Questionnaire – Romantic Comedy

What gender of Protagonist do you enjoy seeing in a ‘RomCom’? (Tick One)
A.      Male
B.      Female
 What sort of ‘RomCom’ do you enjoy?
A.      ‘Chick Flick’
B.      Buddy Comedy
C.      Hopeless Romantic
D.      More of a Comedy with a Romantic Subplot
(If Male) What sort of Personality do you like the main protagonist having? (Tick Two)
A.      Ladies’ Man
B.      Cocky
C.      Hopeless romantic
D.      Nerdy (unconventional hero)
E.       Comedic
(If Female) What sort of Personality do you like the main protagonist having? (Tick two)
A.      Hopeless Romantic
B.      Life not on track (workaholic)
C.      Comedic
D.      Attractive (knows she is)
E.       Unconventional
What sort of music do you like to hear during a ‘RomCom’? (Tick One)
A.      Orchestral
B.      Pop
C.      Rock
D.      General upbeat music
E.       Punk
F.       Funk
G.     Other ……………………….
What location do you think is best for a ‘RomCom’? (Tick One)
A.      An old Decrepit Home
B.      A College/School                                            (Continued on Back)
C.      In a town or City
D.      In a place of business
E.       Other ………………….
What sort of age group would you most like to see in a Romantic Comedy? (Tick One)
A.      17-20
B.      21-26
C.      27-35
D.      35-40
What sort of Opening Sequence would you like to see in a ‘RomCom’ (Tick One)
A.      Titles then into the film
B.      Film Starts During Titles
C.      A pre Title Sequence then Titles ( E.g. James Bond)
What is your Favourite ‘RomCom’ (in the list provided) (Tick One)
A.      ‘Knocked Up’
B.      ‘Just Like Heaven’
C.      ‘Wayne’s World’ (Excellent)
D.      ‘How to Lose a Guy in Ten Days’
E.       ‘Failure to Launch’
F.       ‘Fanboys’
G.     ‘The Proposal’
What sort of story would you want to see in a ‘RomCom’? (Tick Two)
A.      Guy loses girl gets her back
B.      Nerdy unexpected guy eventually gets the girl
C.      Girl finds love in unexpected place
D.      Girl can’t tell what to look for in a relationship finds it with best friend
E.       Buddy Fest where a group of friends help one get the girl


Thanks for filling this in.




This was the questionnaire that i made, this was handed out to 10 different people who individually answered the questions by circling or putting a tick next to their appropriate answers. i used this and tallied up the results and put them into charts on a separate document. I will use the information given  to help make my film and put in what people want to see in a RomCom.

Monday, 28 January 2013


Just like Heaven- 2008, Directed by Mark Waters


‘Just like Heaven’ is a stereotypical romantic comedy with a classic opening where we see the logo of ‘DreamWorks but instead of the classic ‘DreamWorks’ music there was an upbeat song playing instead that was very upbeat this straight away indicates that the film is going to be upbeat and have a classic lovey dovey message, the camera pans down from the ‘DreamWorks’ logo and goes through the clouds and titles in bright pink, then blue and yellow appear on the screen and then we continue to go through the clouds and then continues to show ‘Reese Witherspoon’ sitting in a chair in a very cloudy garden, all with bright colours and a warm atmosphere giving the audience a picture of a ‘Garden of Eden’ and Heaven she is wearing bright white clothing and a yellow dress giving her the look of a fairy-tale princess, the camera fades a couple of times to show a passage of time the camera then fades to her sitting on a chair with the title of the film appears to her immediate left reading in bright bold letters saying ‘Just Like Heaven’ we see the camera pan around to her from the back focusing on the chair she sitting on, the chair is not a typical chair that one would imagine in heaven it looks like a chair from a school or workplace.
As we pan back round to the front of her and the song then says “Like a dream” and she is woken up and we are plunged into her reality. When she wakes up it is a quick cut that is unsettling and just shows how fast she is woken up, we see an extreme close up of Reese Witherspoon with a hand on her shoulder being woken up we can see that she is wearing what look like scrubs and has a prop stethoscope from this straight away we can assume that she is either a Doctor or a Nurse, this is a consistent theme for romantic comedies and this is because she is a role model for young girls and the fact that she is a pretty white woman with blonde hair and blue eyes. Whoever wakes her up is shouting a name “Elizabeth” (we now know that this is the name of our main protagonist) the next shot is in a handheld fashion and this is to show the hecticity of the hospital.
Although the hospital scene is very hectic and filmed in a hand held fashion the music that is playing is still very upbeat and shows that although her life is clearly hectic and mainly about helping people rather than helping herself in her everyday life. We see that she is a very nice and wants to help everyone around her by even the old man patient asking her to marry him, yes this is in a comedic sense but it shows how likable the character is. We then do a montage of her helping her patients to upbeat music we then cut to female doctors talking in the bathroom and all of the women talking about their kids or having kids and even talking about divorce but because she doesn't say anything straight away we assume that outside of the hospital she has no life or no social life, not married and not in a relationship (as this is the basis of all romcom’s we know this is going to change in the course of the film.)
We learn that she seems to pretty much lives in the hospital and that she enjoys it. We then follow her round again in a backward tracking shot and then we see another male doctor walking next to her and we can assume that she is in some sort of competition with him, they walk up next to a black doctor (we can assume that he is in charge as he is an almost James earl Jones type of character) he asks how long they have been here the other guy doctor says “12 hours” and then she says “longer” the black doctor then lets him know that he must go to tend to a gunshot victim, the black Doctor then tells her that she ‘the job’ (that we assume that they were competing for) he doctor then tells her to go home, as she is leaving when she gets to the elevator she is stopped by a male nurse who wants her to take a look at an ‘impacted bowel’ and she does even though she should go home, we then cut to her walking toward her car in the dark we hear thunder and from this we can tell that something ‘Bad’ is about to happen to her.
On the way home in the car there is still upbeat music playing as she is driving home and talking to her sister on the phone, when she puts the phone down we see an extreme close up of her hand turning up the radio as we cut back to her we see a truck’s breaks fail and she crashes straight into the truck and we see a bright light which symbolizes that she is most likely dead and BOOM light symbolises Heaven which tells us that she has passed on and the rest of the film begins.
Harrison Marlow  
Halloween - 1978, Directed by John Carpenter


 
Halloween is an Independent American Horror film, set in the 1970’s it was written and directed by John Carpenter (Also directed ‘Assault on precinct 13’ and ‘The Thing’) other than writing the screenplay and directing the picture he also created the very famous and very iconic soundtrack, Carpenter is the creator of the very jumpy and very atmospheric music that scares the audience more than the actual events in the film. The film was released in 1978 and was an independent film which means it was made on a very small budget and was made with only $320,000 and made a whopping $47 million in the box office. Many critics credit the film as the first in a long line of Slasher Films, inspired by Sir Alfred Hitchcock’s film ‘Psycho’ (1960) although this is the first of the Slasher Horror genre of films it has very little blood and gore it is a classic horror film because of how atmospheric the music is and how jumpy it is.

When the opening sequence begins we see a black background with red title logo’s and writing this shows us straight away that the film is horror and straight away we hear the very iconic and very atmospheric music in the background the titles are red and turn to an yellow and an orange and back to a red this is meant to depict fire and hell, because in the 70’s there were not the capabilities of using editing of fire in the background so they use it as a depiction of hell and Halloween as the iconic jack’o lantern (pumpkins) they are obviously  the symbol of Halloween and are lit by flame and have scary faces this connects to the film and how the whole element of the film is just fear.

As the titles continue down the left hand side of the screen we see a pumpkin appear in the right hand side of the screen as the titles fade in and out we move to a slow forward tracking shot of the pumpkin until we reach an extreme close up of the pumpkins eye and as the candle in the pumpkin goes out we are left with just one name on the screen which says ‘Directed by John Carpenter’ as he is the director his name is the most important so it has to be on the screen alone.

As his name fades a new title in white fades in reading ‘Haddafield Illinois 1963’ a fictitious suburban town in America whilst the title is on the screen we hear a sound bridge of children singing a Halloween song (American tradition) then the film starts and we pan left from behind a tree and we see an almost establishing shot of a white suburban house in 1960’s America. We then see a forward tracking shot/ point of view of someone walking towards the house looking at two people through the glass in the front door. As the person walks closer to the house and he  slowly towards the right of the house and our antagonist views a conversation between a young man and a young woman (most likely teenagers) and the man says “wanna’ go upstairs?” the woman replies “Michael’s here somewhere” he replies “he’s on the driveway” and they proceed to go upstairs as they do out still through the point of view of the antagonist we have a reverse tracking shot to see the front of the house where we see a bedroom light turn off.

When the light is turned off we see a quick forward tracking shot of our antagonist (still Point of View) going into the kitchen via the back door then we see our antagonists hand opening a drawer and reaching a knife out of the drawer and we continue to move into the front room and we see the man walking down the stairs saying “I have to go” and putting his shirt back on this implies that they had sex, with this knowledge after the man leaves the house and we have a forward tracking shot going up the stairs where we see a mask on the floor and a hand reaching out grabbing it and putting it on so we see through the eyes of the mask and we see a bad that isn’t made and suggests even more so that they had sex. This clearly upsets our antagonist, as he walks toward her (forward tracking shot still in first person point of view) we see the girl turn around and scream “Michael” we are not sure if this is because she’s screaming for help from Michael or screaming because it’s Michael but we see through the antagonist’s eyes as he starts to repeatedly stab the girl over and over as she screams, he also seems to be watching himself stab her, almost like he doesn’t want to kill her but he has too.

Once he stabbed her and she is lying dead on the floor half naked from before, we hear the diegetic sounds of heavy breathing and almost gives us the impression that he very much regrets what he did, the camera pans round as he walks down the stairs, it is a straight forward tracking shot making it look like he is just gliding down the stairs like a ghost during Halloween. We walk through the front door and we see two people pull up in a car and get out and run towards the antagonist and shout “Michael” and for the first time we come out of first person to an extreme close up of the man’s hand as he takes the clown mask to reveal a little boy (six years old) holding a knife with an extremely blank emotionless look on his face as the camera pans out with a crane shot, this shows his beginning to becoming a lost soul getting further away from anyone he knows in becoming the physcopathic murderer ‘Michael Myers’.

Wednesday, 16 January 2013

Analysis of The Dark Knight Rises 2012, Directed by Christopher Nolan


The Dark Knight Rises
Analysis

The opening of the film starts with the titles of the ‘DC comics’ ‘Syncope’ production logo we then see ice cracking into the ‘Batman’ symbol breaking out of the ice, this could be broken down into meaning ‘Batman’ has to rise up again, he has stored his gear and almost retired from being anything he cannot even be counted as being ‘Bruce Wayne’ as he has not been seen for many years and the symbol cracking in the ice could mean he himself has to break out of the dark and once again become the ‘Batman’.
From this it cuts to a gathering a social party to celebrate ‘Harvey Dent’ (Two Face) we can tell this from a picture of ‘Harvey’ in the background we can also see Gary Oldman as ‘Commissioner (Jim) Gordon’ talking about what happened to ‘Harvey Dent’ in the previous film this is called a prologue and it is used to remind the audience what happened in the previous film. From this shot we can tell where the gathering is taken place in a wealthy manor with this knowledge the audience can assume it is the iconic ‘Wayne Manor’ which as we know is very ironic as ‘Two Face’ in the previous film tried to kill ‘Commissioner Gordon’s’ son and kill ‘Batman’ as well so seeing a fundraiser at the home of ‘The Dark Knight’ himself.
There is then a cut to a vehicle driving through a wheat field with a straight cut from the vehicle to a CIA agent in front of an airplane with a number of soldiers standing around him, the CIA agent is wearing casual clothes but they can also be argued to be almost combat gear we can tell he is on charge as the shot shows him in a position of dominance as he is at the front and the largest of the men from a proportionate point of view.  It then cuts back to the vehicle this time from the inside to reveal three men sat in the back of the vehicle with their hands tied behind their backs and a black bag over their heads this gives us as an audience the image of evil of terrorism and we can guess we have our main antagonist but from this first glimpse we cannot tell which is which, from the back of the vehicle it then cuts back to the plane where the vehicle pulls up and the men in the vehicle get out there are the three masked men and a character we find out to play a key role in the film a Doctor of Nuclear Physics and the men who are delivering them over to the CIA agent are very European Mafia sort of characters giving the audience a foreboding scene of trouble in this scene.
The men and the Doctor are handed over to the soldiers the CIA agent says to the doctor as he passes “you can’t bring friends” the Doctor simply reply’s with “they are not my friends.” This tells the audience that one of the men has to be our main antagonist ‘Bane’ the CIA agent asks who the men work for the European man replies “they work for the masked man, the mercenary … Bane”. With this knowledge the agent tells his soldiers to get them onto the plane.
The plane is heading to an undisclosed location where these men in the hoods and the Doctor are to be tortured, the music is very loud and slow paced this is used to show the unusual fact that the CIA agent is at the moment viewed as an antagonist, when usually the CIA are depicted as good characters who are trying to save people rather than torture them. The CIA agent then orders the men to talk and they do not so he threatens “the first one to talk stays on my aircraft” and a door on the plane is opened the army men throw and hold one of the masked on the floor with his head out of the door, this is used to try and scare the character into talking when the masked man the CIA agent shouts at the man “Tell me about Bane why does he wear the mask?!” and he fires a shot from his sidearm by the masked man’s head this is to try to scare him into talking he says nothing “lot of loyalty for a hired gun” responds the CIA agent. We then hear very loudly (badly dubbed) over all of the diegetic sound and the music a man’s voice with a strange accent, saying “Or perhaps he is wondering why someone would shoot a man before throwing him out of a plane” when the agent hears this he turns and a soldier closes the door, we then see the tied up man from a tracking shot behind him leading the audience up for a big reveal.
Then we see an almost reversal of roles from the CIA agent crouching lower than the masked man giving the audience a feeling that the masked man is much more dominant than the CIA agent, he states “at least this one can talk, who are you?” the hooded man replies “it doesn't matter who we are. What matters is our plan”  this tells us that there are more than just ‘Bane’ involved in the plot as he did not say “I” instead he said “who WE are. What matters is OUR plan” we also know that his men are willing to die for his cause and that this makes him a much more feared man than we could of imagined that they do not care if they die as long as their plan is pulled off. There is a close up of the agents hand as he slowly goes to pull off the man’s hood to reveal the films main antagonist ‘Bane’.

The music (non-diegetic) starts to get louder and faster giving us the knowledge that something is about to happen that is vital to the film, the agent asks “if I pull that off would you die?” ‘Bane’ replies “it would be very painful” he is interrupted by the CIA agent “you’re a big guy” ‘Bane finishes “For you.” The music then gets louder and faster and we can hear chanting although it is not clear what the chanting is it’s clear to the audience that there is going to be an action sequence as everything in the shot speeds up and we have a lot of handheld camera shots this shows how frantic everything is meant to be and puts the audience in the shoes of someone on the plane with the plane the CIA agent then asks “was getting caught part of you master plan?” to which the music gets faster and ‘Bane’ answers “But of course” and the agent then asks “what’s next” and ‘Bane’ finally answers “we crash this plane … with no survivors!” and he breaks out of his bounds and punches the CIA agent and with that we cut to an extreme long shot of another much larger plane flying over the agents plane and we see four people repel down from the back of the bigger plane onto the agents plane and  shooting the military men in the plane, then we see an extreme close up of the hijackers shooting some sort of equipment into the plane  (an almost grapple hook looking device). It then cuts to another extreme long shot of the hijackers being pulled back up to their plane and the agent’s plane being dragged vertically down and the wings being ripped off (using CGI to give it a real looking effect) and the back of the plane being blown off.
This sequence then involves ‘Bane’ kidnapping the Doctor, the four men seen in the picture then climb into the plane and kill the rest of the soldiers, and lower down a dead body into the plane, the majority of this sequence is filmed close up by a hand held camera this is so it gives the audience a feeling of how hectic this is meant to be and that we are meant to feel the fear of the doctor that we are being taken by this mad man, in mid air.
We then see in a close up shot the body bag being delivered to ‘Bane’ and his men they open the bag to reveal a body with a tube connected to the arm, bane then puts the tube onto the doctors arm via syringe transfers the doctors blood into the body, this is to make the authorities think that the body in the wreckage is the doctor, during this operation we can still hear the music and the non-diegetic sounds of the wind through the back of the plane and the doctor’s screams in the plane now there is only ‘Bane’ the doctor and one of ‘Bane’s’ followers they are getting strapped up ready to be pulled back into the larger plane, but ‘Bane’ stops his follower from getting strapped up and says “they shall expect one of us in the wreckage brother!” The follower just nods and replies, “Have we started the fire?” ‘Bane’ says “yes the fire rises” this gives us the impression that this is only the very first steps in ‘Bane’s’ master plan he then looks to the screaming doctor and states “calm down doctor now is not the time for fear  … That comes later” and ‘Bane pushes a trigger and the agents plane is released and falls around them (CGI), the scene goes silent (although it ads suspense to the scene it also creates a continuity error as we cannot hear the plane falling nor an explosion) as we see and extreme long shot of ‘Bane’ and the doctor being pulled back up to the larger plane.
We then cut to our next scene which starts with an establishing shots of a city we presume is ‘Gotham’ and a bridge during this we can hear the non-diegetic sounds of very light music and a clear voice talking about ‘Harvey Dent’ (Two Face in ‘The Dark Knight’) and the ‘Dent Act’ we then cut to a forward tracking establishing shot of ‘Wayne Manor’ and ‘Gotham Cities’ Mayor continuing talking about the ‘Dent Act’, the mayor states “I’d like to thank ‘Mr Wayne’ for hosting this event, even though he couldn’t be here, I’m sure he’s here in spirit” this lets the audience know that ‘Bruce Wayne’ does not want to be at an event that celebrates the man that tried to kill him and his friend (‘Commissioner Gordon’). The Mayor then invites ‘Commissioner Gordon’ to the stage and we see a close up on ‘Commissioner Gordon’ behind the podium with pieces of paper in his hand and he say’s “I have a speech containing the truth about ‘Harvey Dent’.” but as he is talking we cut to an extreme long shot of a man standing in the shadows on the top of ‘Wayne Manor’ we as the audience assume this is ‘Bruce Wayne hiding in the shadows and has been since the death of ‘Dent’. ‘Gordon’ continues “but perhaps now is not the time” as he says this it cuts back to the man on the roof but we see him just walking away, almost in disappointment about ‘Gordon’ not telling the people of the truth behind ‘Dent’ or ‘Two Face’, ‘Gordon’ continues to talk about how many criminals and high up gang members are in “Black Gate Prison” because of the ‘Dent Act’ and act that the audience knows is a lie. (Whilst ‘Gordon’ was talking about the ‘Dent Act’ there were ‘Flashbacks’ to the previous film with ‘Two Face’ and ‘Gordon’s’ family.)
 The film then cuts to a forward tracking shot of a busy kitchen full of caterers and two of them are talking ‘Alfred’ (The Butler) approaches them asking where one of the other members of staff are one replies that she is serving the guests there is then a sort of match on action between ‘Alfred’ and the caterer as he hands her a key and a plate of food and instructs her where to put it in the east side of the manor. It cuts to a horizontal tracking shot of the caterer walking up a flight of stairs. It then cuts to ‘Alfred’ talking to a woman called ‘Miranda’ about ‘Bruce’ as they are talking a business man approaches her and ‘Alfred’ and mocks ‘Bruce Wayne’ saying “he has eight inch nails and pissing into pots” he then confronts ‘Miranda’ about an investment to which she talks about wanting what’s best for the world not profits. The business man does not seen to take this lightly as there is a close up on his face as she and ‘Alfred’ walk away, this gives us reason to believe he may be a key antagonist later on in the film.

Harrison Marlow

Sunday, 13 January 2013

Language & Cinema, Research into existing Products



Language and Cinema 

After the First World War, especially in Germany, soldiers would often be demented by the occurrences they faced in the war. This was the birth of the Horror Genre. The first Horror films were "The Cabinet of Dr Caligari" (1919) and the classic (and sought to be the best vampire movie of all time) "Nosforatu". These films were known as German Expression because in the films a lot of the scares used the shadows as one of the biggest mechanisms in the film, to create tension and fear in the film.

Experimental 
One of the best examples of German Expressionism is the (1922) film "Nosforatu" where the film makers use  the shadows create the illusion of the dark undead character, the film is a classic hit and is one of the creators of Horror, this film was part of 'Experimental' film making this goes along with the original Horror film "The Cabinet of Dr Cligari" (1919) 
Experimental film making is an occurrence for every Genre of film but in the cases of horror, experimental film making would be these films as the audience would never have seen a film like these and normally they wouldn't be expected to enjoy these films, so making the Horror Genre into a film type was a huge risk on the film studios back when they were released.

Classic 
Of course the horror Genre became a huge hit, creating classic and iconic films in Hollywood history as, more and more people would watch the horror films Hollywood decided that it would be a good idea to invest in them also, rather than just small foreign film companies, when they started to invest in the horror genre Hollywood came out with some of the most iconic depiction of characters in film history with films such as “Dracula” in (1931) and “Frankenstein” in the same year we all get the same depiction of the character in our heads E.g. “Frankenstein” would be thought to be green with a big flat head with two bolts either ide of his neck, we only get this depiction of him as that is how he was made to look in the classic film. With the success of these films an English company ‘Hammersmith Studios’ would re-make these films and they too would become a huge hit in America, for example, the re-make of the film “Dracula” would end up having a saga of spinoffs in the 1950’s and the 1960’s all with Peter Cushing as ‘Van Helsing (also known for playing “Grand Moff Tarkin in ‘Star Wars’ and even in a WWII Parody movie starring Val Kilmer in the 1980’s called ‘Top Secret’ where he would have a Minor role as the Swedish Book Owner) and along side him in all of these films were Christopher Lee who would always play “Dracula”, (also Known widely for his presentation of Sauroman in Lord of the Rings and Count Dooku is ‘Star Wars’).

Parody
Parody films unexpectedly starting in the 1940’s with films such as “Albert and Costello meet Frankenstein” (1948) and the classic “Carry on Screaming”(1969) Parody films are made for every single genre. For example you have the classic western parody “Blazing Saddles”(1974) and the Science Fiction Parody “SpaceBalls” (1987) the parody genre are still very popular today with the sadly very popular “Scary Movie” set of films.

Deconstruction
The Deconstruction of horror films started in 1995 with David Fincher’s Horror/Thriller “Se7en” where he questioned the whole idea of gore and noire thriller with a dark very underlining horror aspect, along with “Se7en” films in this experimental Deconstructed style spat out such films as “The Blaire Witch Project” (1998) which combined documentary and horror into one film, and “The Sixth Sense” (1999) which combines the idea of thriller and ghostly, and contains one of the biggest twist in movie history. Another Deconstruction would be the film “scream” which brings together slasher horror and teen movie, a deconstructed film is basically the combination of two types of film form the same genre into one movie.