Halloween - 1978, Directed by John Carpenter
Halloween is an Independent American Horror
film, set in the 1970’s it was written and directed by John Carpenter (Also
directed ‘Assault on precinct 13’ and ‘The Thing’) other than writing the
screenplay and directing the picture he also created the very famous and very
iconic soundtrack, Carpenter is the creator of the very jumpy and very
atmospheric music that scares the audience more than the actual events in the film.
The film was released in 1978 and was an independent film which means it was
made on a very small budget and was made with only $320,000 and made a whopping
$47 million in the box office. Many critics credit the film as the first in a
long line of Slasher Films, inspired
by Sir Alfred Hitchcock’s film ‘Psycho’ (1960) although this is the first of
the Slasher Horror genre of films it has very little blood and gore it is a
classic horror film because of how atmospheric the music is and how jumpy it
is.
When the opening sequence begins we see a black background
with red title logo’s and writing this shows us straight away that the film is
horror and straight away we hear the very iconic and very atmospheric music in
the background the titles are red and turn to an yellow and an orange and back
to a red this is meant to depict fire and hell, because in the 70’s there were
not the capabilities of using editing of fire in the background so they use it
as a depiction of hell and Halloween as the iconic jack’o lantern (pumpkins)
they are obviously the symbol of
Halloween and are lit by flame and have scary faces this connects to the film
and how the whole element of the film is just fear.
As the titles continue down the left hand side of the screen
we see a pumpkin appear in the right hand side of the screen as the titles fade
in and out we move to a slow forward tracking shot of the pumpkin until we
reach an extreme close up of the pumpkins eye and as the candle in the pumpkin goes
out we are left with just one name on the screen which says ‘Directed by John
Carpenter’ as he is the director his name is the most important so it has to be
on the screen alone.
As his name fades a new title in white fades in reading
‘Haddafield Illinois 1963’ a fictitious suburban town in America whilst the
title is on the screen we hear a sound bridge of children singing a Halloween
song (American tradition) then the film starts and we pan left from behind a
tree and we see an almost establishing shot of a white suburban house in 1960’s
America. We then see a forward tracking shot/ point of view of someone walking
towards the house looking at two people through the glass in the front door. As
the person walks closer to the house and he
slowly towards the right of the house and our antagonist views a
conversation between a young man and a young woman (most likely teenagers) and
the man says “wanna’ go upstairs?” the woman replies “Michael’s here somewhere”
he replies “he’s on the driveway” and they proceed to go upstairs as they do
out still through the point of view of the antagonist we have a reverse
tracking shot to see the front of the house where we see a bedroom light turn
off.
When the light is turned off we see a quick forward tracking
shot of our antagonist (still Point of View) going into the kitchen via the
back door then we see our antagonists hand opening a drawer and reaching a
knife out of the drawer and we continue to move into the front room and we see
the man walking down the stairs saying “I have to go” and putting his shirt
back on this implies that they had sex, with this knowledge after the man leaves
the house and we have a forward tracking shot going up the stairs where we see
a mask on the floor and a hand reaching out grabbing it and putting it on so we
see through the eyes of the mask and we see a bad that isn’t made and suggests
even more so that they had sex. This clearly upsets our antagonist, as he walks
toward her (forward tracking shot still in first person point of view) we see
the girl turn around and scream “Michael” we are not sure if this is because
she’s screaming for help from Michael or screaming because it’s Michael but we
see through the antagonist’s eyes as he starts to repeatedly stab the girl over
and over as she screams, he also seems to be watching himself stab her, almost
like he doesn’t want to kill her but he has too.
Once he stabbed her and she is lying dead on the floor half
naked from before, we hear the diegetic sounds of heavy breathing and almost
gives us the impression that he very much regrets what he did, the camera pans
round as he walks down the stairs, it is a straight forward tracking shot
making it look like he is just gliding down the stairs like a ghost during
Halloween. We walk through the front door and we see two people pull up in a
car and get out and run towards the antagonist and shout “Michael” and for the
first time we come out of first person to an extreme close up of the man’s hand
as he takes the clown mask to reveal a little boy (six years old) holding a
knife with an extremely blank emotionless look on his face as the camera pans
out with a crane shot, this shows his beginning to becoming a lost soul getting
further away from anyone he knows in becoming the physcopathic murderer
‘Michael Myers’.
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